DTS PRO Series Spezifikationen Seite 10

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For Punch In/Out to operate
properly, you must follow these
rules:
1. The audio being encoded must
be located properly in the Pro Tools
timeline. The Punch In/Out start and
end points are relative to the start of
the Pro Tools session.
2. You must have 4096 samples (86
milliseconds) of audio pre-roll before
the start point. The pre-roll audio is
necessary to “prime” the encoder so
that the re-encoded data will
seamlessly punch in without a glitch.
3. You must encode using the same
metadata and preprocessing settings
used when originally encoded.
4. The existing DTS file must have
consistent metadata in the entire file.
The encoder checks the first frame
of the existing file to make sure it
matches.
5. The punch start location can not
be before the start location of the
existing DTS file or after the end
location of the existing DTS file.
How To Re-Encode With Punch
In/Out
1. Make sure the audio is located in
the timeline properly.
2. Select the audio in the timeline.
3. Open SoundCode DTS Encoder
4. Set the DTS encoding
parameters to match what was used
in the original encoded file.
5. Set the output file name to the
name of the existing DTS or WAV
file.
6. Select DTS and/or WAV file
output types.
7. Click the Punch In/Out Enable
button in the Punch In/Out page of
the OUTPUT section.
8. Click on the “Encode” or “Encode
and Import” button.
Encoding Log File
SoundCode For DTS writes a log file
when encoding. The log file has the
same name as the DTS/WAV file
created except that the extension is
.LOG. It is located at the same
folder/directory where the DTS/WAV
file is created. The file is appended
with log information each time it
encodes. This allows you of keep
track of multiple encode operations
on the same DTS/WAV file.
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